National level art management, director and secretary of the inheritance and protection center of Quanzhou Puppet Theatre (director and secretary of Quanzhou Puppet Theatre). Member of the Fujian Provincial Committee of the Chinese People's Political Consultative Conference, National Arts Foundation jury member, Vice President of the International Puppet Federation China Center, Vice President of the Chinese Puppet and Shadow Art Society. Member of China Dramatists Association, China Children's Theatre Research Association, China Photographers Association, China Musicians Association, China Hard Pen Calligraphy Society. Executive Director of Fujian Provincial Dramatists Association, Vice President of Quanzhou Dramatists Association.

Hong Shigian, male, national level art management, director and secretary of the inheritance and protection center of quanzhou city string puppet theater (director and secretary of quanzhou city puppet troupe). Member of the Fujian Provincial Committee of the Chinese People's Political Consultative Conference, National Arts Foundation jury member, Vice President of the International Puppet Federation China Center, Vice President of the Chinese Puppet and Shadow Art Society. Member of China Dramatists Association, China Children's Theatre Research Association, China Photographers Association, China Musicians Association, China Hard Pen Calligraphy Society. Executive Director of Fujian Provincial Dramatists Association, Vice President of Quanzhou Dramatists Association. He has been selected as one of the outstanding Communist Party members in the documentary "Pioneers of the Times" by the Organization Department of Fujian Provincial Committee. He has been awarded "Advanced Individual in National Cultural Industry" by the Ministry of Culture, "Cultural Innovation Award Nomination Award" by the Ministry of Culture, "New Long March Pioneer of Fujian Province" and "Model Worker of Quanzhou City". "In 2021, he was reported in a special edition of the People's Political Consultative Conference (CPPCC) newspaper as the only advanced and typical example of a member of the CPPCC in Fujian Province. In the same year, his unit, as a provincial CPPCC member contact point, was evaluated as one of the first 20 "Outstanding Member Workshops". Engaged in the palm puppet theater, string puppet theater art management for 25 years, is China's only engaged in the two puppet theater art management. In the early and mid-1990s, he was pioneering and forward-looking in planning and creating a number of stage cultural and tourism integration plays, such as the puppet play "Five Mile Rainbow", "The Fairy of Qingyuan" and "Dragon Mountain Love", which won the "Wenhua Award" of the Ministry of Culture, the "Outstanding Performance Award of the National Children's Play Exhibition" of the Ministry of Culture ", "National Ethnic Minority Performing Arts Festival Excellent Program Award", "National Excellent Tourism Performing Arts Program", "Gold Award of National Puppet and Shadow Play Competition "In 2001, he planned to build the first and longest 52-episode puppet TV series "Bai Yu Tang" in China. In 2014, he planned to set up the "Puppet Art Communication Center" in Hong Kong, which became one of the 10 "Key Projects for Cultural Exchange with Hong Kong and Macao" of the Ministry of Culture and the first overseas communication and promotion center for puppets in China. He is the author of one of the national non-foreign heritage books, "Southern Puppetry" (cooperation), and the editor-in-chief of "Images of the Puppet World", "Southern Wonder", and "Love of the Puppet World". He has published more than 20 articles such as "The tide is level on both sides, the wind is hanging", "The Pearl of the Orient, the Southern Puppet", "The Artistic Characteristics of Puppet Pantomime", "The Southern Puppet in the Palm", "Technology Enhancement Promotes the Development of Traditional Puppet Theatre", "Based on Tradition, Keeping Up with the Times", "The Times Opportunity of Contemporary Thread Puppet Theatre", "Although the Puppet is Small, the Stage is Big", "There is No End to the Ancient Art", "Let the Red Works Blossom Passionately on the Puppet Theatre Stage", etc.