He is a member of the International Puppet Federation, a director of the Chinese Puppet and Shadow Association, a member of the Chinese Dramatists Association, a member of the Fujian Dramatists Association, and a member of the Quanzhou Dramatists Association.
Xu Ziming, National Grade II Performer, Member of International Puppet Federation, Director of Chinese Puppet and Shadow Association, Member of Chinese Dramatists Association, Member of Fujian Dramatists Association, Member of Quanzhou Dramatists Association.
Xu Ziming, national second grade performer, member of the International Puppet Federation, director of the Chinese Puppet and Shadow Association, member of the Chinese Dramatists Association, member of the Fujian Dramatists Association, member of the Quanzhou Dramatists Association.
He has been engaged in playing flute, flute and sanshin for 40 years, and has participated in the restoration and rescue of traditional plays such as "The Rescue of Mother by Meilian", "Three Tibetan Scriptures", "The Journey of Li Shimin to the Earth" and "The Fight against the Golden Bough", as well as newly created plays such as "Water in the Mountain", "Thousand Peach Rock", "Celebrating the Harvest", "Greedy Cat", "Taiji Figure", "Zhang Yu Boiling the Sea", "The Rescue of Mother by Cleaving the Mountain", "The Three Beatings of the White Bone Spirit", "The Flaming Mountain", "The Minister of Qin", "The Orphan of Zhao" and "Lu Junyi". The Sixth China Puppet and Shadow Show for Young and Middle-aged Performers He was invited to participate in the documentary "Quanzhou Style" composed and conducted by the famous composer and conductor Mr. Zeng Jiaqing and filmed by Fujian TV as the chief flute player. He has visited Eurasian countries such as the United States, Germany, France, Singapore and other regions such as Hong Kong, Macao and Taiwan. He wrote the paper "Exploring the Traditional Music of Quanzhou Puppet Theater" published in "The House of Drama" and "Analysis and Application of Special Techniques in Bamboo Flute Performance" published in "Artwork Appreciation", both of which were well received by peer experts and scholars.