Traditional repertoire

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The whole book "The Rescue of the Mother by Meilian

The whole book of "The Cage Book" includes "Li Shimin's Journey to the Hell", "Sanzang Takes the Scriptures", and "Meilian Saves His Mother", which is a religious folklore play with "teachings on a high platform" to "persuade goodness". It is a religious and folkloric drama that persuades people to do good by teaching them on a high platform. The play has multidisciplinary research value in religion, folk beliefs, local folklore and dialect. The entire book "Moulian saves his mother" runs through the fatalistic viewpoint of "karma" and "reincarnation of life and death", and there are many scenes of religious rituals, with strong folklore and religious colors. The play is full of interesting and lively "mouth white", making a bitter satire and scathing of the ugly phenomena in social relationships, such as hypocrisy, tendency to attach oneself to influence and forgetfulness of righteousness, which is even more fascinating. Because the puppet play "Moulian saves his mother" can face the miserable life from the secular point of view and truly reflect the human feelings of the people, it is a delight to the audience and has been performed for a long time, with many "households". This is why Quanzhou puppet theater has the moniker of "Meilian Puppet". In 1994, the National Research Institute for Cultural Properties in Tokyo, Japan, established the Quanzhou Meguren Puppet Research Association, which cooperated with the Quanzhou Puppet Theatre Company to start a research on the entire book "Meguren Saves His Mother," and in 1997, the collection of papers of the Quanzhou Meguren Puppet Research Association was published in Tokyo, Japan, attracting the attention of experts and scholars at home and abroad. From 1999 to 2000, the "Complete Book of the Puppet "Mu Lian"" was revised by the Quanzhou Local Opera Research Society and officially published by the China Drama Press.

The whole book of "The Cage Book" includes "Li Shimin's Journey to the Hell", "Sanzang Takes the Scriptures", and "Meilian Saves His Mother", which is a religious folklore play with "teachings on a high platform" to "persuade goodness". It is a religious and folkloric drama that persuades people to do good by teaching them on a high platform. The play has multidisciplinary research value in religion, folk beliefs, local folklore and dialect. The entire book "Moulian saves his mother" runs through the fatalistic viewpoint of "karma" and "reincarnation of life and death", and there are many scenes of religious rituals, with strong folklore and religious colors. The play is full of interesting and lively "mouth white", making a bitter satire and scathing of the ugly phenomena in social relationships, such as hypocrisy, tendency to attach oneself to influence and forgetfulness of righteousness, which is even more fascinating. Because the puppet play "Moulian saves his mother" can face the miserable life from the secular point of view and truly reflect the human feelings of the people, it is a delight to the audience and has been performed for a long time, with many "households". This is why Quanzhou puppet theater has the moniker of "Meilian Puppet". In 1994, the National Research Institute for Cultural Properties in Tokyo, Japan, established the Quanzhou Meguren Puppet Research Association, which cooperated with the Quanzhou Puppet Theatre Company to start a research on the entire book "Meguren Saves His Mother," and in 1997, the collection of papers of the Quanzhou Meguren Puppet Research Association was published in Tokyo, Japan, attracting the attention of experts and scholars at home and abroad. From 1999 to 2000, the "Complete Book of the Puppet "Mu Lian"" was revised by the Quanzhou Local Opera Research Society and officially published by the China Drama Press.

隐藏域元素占位

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The Four Seas Celebration

The book is not only a "cage book" but also a "cage book", which is a part of the play "Megan saves her mother". The book is not only a "cage book" but also a play in the "cage book", "The Rescue of Mother". It is difficult to describe the condition of the surviving transcripts. The play is an early version of Quanzhou's puppet theater, and was generally performed at temple festivals or on the day of Guanyin's birthday. Since the Qing Dynasty, it has also been a common choice for folk performances to honor the gods and other rituals.

The book is not only a "cage book" but also a "cage book", which is a part of the play "Megan saves her mother". The book is not only a "cage book" but also a play in the "cage book", "The Rescue of Mother". It is difficult to describe the condition of the surviving transcripts. The play is an early version of Quanzhou's puppet theater, and was generally performed at temple festivals or on the day of Guanyin's birthday. Since the Qing Dynasty, it has also been a common choice for folk performances to honor the gods and other rituals.

隐藏域元素占位

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The Journey of Yue Hou

The "fallen cage thin" "Yuehou Zhanjin", a total of 29, the old name 10 sections. One copy exists today, and it was made up by "Shangxianjiangyanji" in order to survive until now. Part of the pages of the codex have been scattered and replenished several times. In the year of Gengxu (Daoguang 30 years or Xuantong 2 years) of the Qing Dynasty, Yan's puppet class society in Jinjiang Anhai adopted the method of "preserving the old and replenishing the anonymous" to make up for the scattered parts of the original codex, so 17 pages of the "Gengxu year" codex still exist today. Since then, after several decades of work or heritage use, the old copy of this copy of the page or copy of the page again broken, missing, and become a remnant. Finally, the last copy was made by the puppet theater performer of "Shangxianjing Yanji" in 1915. The story of "Yue Hou Zhanjin" is based on the story of Yue Fei who was recalled by 12 gold medals and the journal of Shangshu Province and killed in Fengbo Pavilion when he was about to restore Bianjing. The book is a famous opera often performed by Quanzhou folk before the end of Qing Dynasty. In the early years of the Republic of China, the whole book "Say Yue", which is based on this play, has been performed for decades since then, and has a large number of "field households".

The "fallen cage thin" "Yuehou Zhanjin", a total of 29, the old name 10 sections. One copy exists today, and it was made up by "Shangxianjiangyanji" in order to survive until now. Part of the pages of the codex have been scattered and replenished several times. In the year of Gengxu (Daoguang 30 years or Xuantong 2 years) of the Qing Dynasty, Yan's puppet class society in Jinjiang Anhai adopted the method of "preserving the old and replenishing the anonymous" to make up for the scattered parts of the original codex, so 17 pages of the "Gengxu year" codex still exist today. Since then, after several decades of work or heritage use, the old copy of this copy of the page or copy of the page again broken, missing, and become a remnant. Finally, the last copy was made by the puppet theater performer of "Shangxianjing Yanji" in 1915. The story of "Yue Hou Zhanjin" is based on the story of Yue Fei who was recalled by 12 gold medals and the journal of Shangshu Province and killed in Fengbo Pavilion when he was about to restore Bianjing. The book is a famous opera often performed by Quanzhou folk before the end of Qing Dynasty. In the early years of the Republic of China, the whole book "Say Yue", which is based on this play, has been performed for decades since then, and has a large number of "field households".

隐藏域元素占位

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Hongwu Kai Tian

The "Hongwu Kaitian" is a 27-volume work with 10 monthly sections. The original number of tops is not known, but 89 pages exist. The original copy has 28 additional pages of the missing parts. There are two kinds of handwriting in the copy and fill pages, so it can be seen that there is a process of anonymous - copy and fill, and then anonymous - copy and fill again. The book is based on the story of Hua Yun of the Ming Dynasty, and the play "Attacking Caishiji" is a play that uses the performance form of large "Sanhe" set with small "Sanhe", which is unique to Quanzhou puppet plays, and is only seen in other ancient plays.

The "Hongwu Kaitian" is a 27-volume work with 10 monthly sections. The original number of tops is not known, but 89 pages exist. The original copy has 28 additional pages of the missing parts. There are two kinds of handwriting in the copy and fill pages, so it can be seen that there is a process of anonymous - copy and fill, and then anonymous - copy and fill again. The book is based on the story of Hua Yun of the Ming Dynasty, and the play "Attacking Caishiji" is a play that uses the performance form of large "Sanhe" set with small "Sanhe", which is unique to Quanzhou puppet plays, and is only seen in other ancient plays.

隐藏域元素占位

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The Robbery of Lu Junyi

"Falling cage thin" "robbing Lu Junyi", a total of 33 out, the old name 10 sections. Today there are two types of copies, both because of the unknown page scattered and no way to determine the age of the copy. If from the text of the song, the words of the misunderstandings, poor sublimation condition and the details of the plot and the treatment of the details and trade-offs, it can be determined that the two transcriptions belong to two folk puppet opera class society with different backgrounds. One of the codices is clear, with few missing pages, and can be read with ease. The other copy is so badly moth-eaten, with so many missing pages, that it is difficult to read. The book narrates Lu Junyi Liang Mountain grass. The Liang Shan military master Wu Yong designed for Lu Junyi's life, Lu Junyi was confused by it, is to pray for blessings and incense in Taian, Shandong Province, so invited by the Liang Shan chiefs on the mountain fortress as guests. Lu's wife Jia colluded with her slave Li Ku, and went to the government to report that Lu Junyi was secretly conspiring with the Liang Shan bandits. Lu Junyi returned home from Liangshan Mountain, was arrested and imprisoned by the government and sent to Shamen Island to serve in the army. Li Gu then bought the relief agent, want to add assassination, fortunately by the righteous son Yan Qing rescue, but unexpectedly caught by the township, caught in the Daimyo Prefecture death row. Liang Shan good men is by the Lantern Festival, disguised mixed Daiming City, to take the adulterous wife, rescue Lu Junyi out of prison, with the Liang Shan reunion. During the late Qing Dynasty and early Republican period, the large scale "Water Margin" was added on the basis of this "cage book", which became the "cage book" alongside "Say Yue".

"Falling cage thin" "robbing Lu Junyi", a total of 33 out, the old name 10 sections. Today there are two types of copies, both because of the unknown page scattered and no way to determine the age of the copy. If from the text of the song, the words of the misunderstandings, poor sublimation condition and the details of the plot and the treatment of the details and trade-offs, it can be determined that the two transcriptions belong to two folk puppet opera class society with different backgrounds. One of the codices is clear, with few missing pages, and can be read with ease. The other copy is so badly moth-eaten, with so many missing pages, that it is difficult to read. The book narrates Lu Junyi Liang Mountain grass. The Liang Shan military master Wu Yong designed for Lu Junyi's life, Lu Junyi was confused by it, is to pray for blessings and incense in Taian, Shandong Province, so invited by the Liang Shan chiefs on the mountain fortress as guests. Lu's wife Jia colluded with her slave Li Ku, and went to the government to report that Lu Junyi was secretly conspiring with the Liang Shan bandits. Lu Junyi returned home from Liangshan Mountain, was arrested and imprisoned by the government and sent to Shamen Island to serve in the army. Li Gu then bought the relief agent, want to add assassination, fortunately by the righteous son Yan Qing rescue, but unexpectedly caught by the township, caught in the Daimyo Prefecture death row. Liang Shan good men is by the Lantern Festival, disguised mixed Daiming City, to take the adulterous wife, rescue Lu Junyi out of prison, with the Liang Shan reunion. During the late Qing Dynasty and early Republican period, the large scale "Water Margin" was added on the basis of this "cage book", which became the "cage book" alongside "Say Yue".

隐藏域元素占位

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The Ten Peers' Guess

"Drop cage thin" "ten pengchai", the number of unknown, the old claim a section. Today, there is no separate copy, only a broken chapter, not anonymous, but the transcription is discontinued. The reason why it was discontinued cannot be investigated. It is seen that the surviving copy (broken chapter) was copied and attached to the end of "Huang Chao's Sword Test" in the Qing Dynasty's "Daoguang Renchen (1832)" "Lok Cang Book", with the words "Ten Peons Guessing in the Book". The inscriptions of "Shupengchai" and "Huang Chao Test Sword" are identical, so it is obvious that they were copied at the same time by the same puppet theater performer from the same troupe. The play is about Wang Shupeng's letter asking his mother and wife to come to Beijing and go to work together. When he arrives, his wife Qian Yulian is nowhere to be seen. He asks his mother, who wants to observe his attitude, not to tell him about his daughter-in-law throwing herself into the water, but to ask him to guess why he is not coming. He asked his wife's uncle to tell him the reason.

"Drop cage thin" "ten pengchai", the number of unknown, the old claim a section. Today, there is no separate copy, only a broken chapter, not anonymous, but the transcription is discontinued. The reason why it was discontinued cannot be investigated. It is seen that the surviving copy (broken chapter) was copied and attached to the end of "Huang Chao's Sword Test" in the Qing Dynasty's "Daoguang Renchen (1832)" "Lok Cang Book", with the words "Ten Peons Guessing in the Book". The inscriptions of "Shupengchai" and "Huang Chao Test Sword" are identical, so it is obvious that they were copied at the same time by the same puppet theater performer from the same troupe. The play is about Wang Shupeng's letter asking his mother and wife to come to Beijing and go to work together. When he arrives, his wife Qian Yulian is nowhere to be seen. He asks his mother, who wants to observe his attitude, not to tell him about his daughter-in-law throwing herself into the water, but to ask him to guess why he is not coming. He asked his wife's uncle to tell him the reason.

隐藏域元素占位

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The Case of Bao Zheng

The "drop cage thin" "package tan break the case", a total of 26 out, the old name 10 sections. Today there are two types of copies: one is copied in the Qing "Jiaqing six years (1801) November"; the second is copied in the Qing "Daoguang Dingwei year (1847) September 30", the copy of the unpaginated signed "Xiao Bao The second is copied in the Qing dynasty "Daoguang Dingwei year (1847) September 30", the copy is not signed "Xiao Bao copying", and also note "Gongbei territory transcription (Teng)" words. After comparison, two kinds of copy of the field mouth, Qu Bai, etc. are no big differences. But the second copy is seriously damaged, defective, most pages are difficult to read. The first copy was made almost half a century earlier than the second copy, but it is better preserved. The book narrates the case of Bao Zheng. The play is based on the relevant recapitulation of the book "Bao Longtu Judges Hundred Public Cases", which was compiled and published by An Shi during the Ming Wanli period. The story of "The Enchanting Difference of the Golden Carp" is the main line, interspersed with "Shi Mute offers hazel to share his wealth", "The Adulterer Kills His Woman by Mistake", "Pao Gong's Garden Saves the Moon Eclipse "The story is interspersed with other unconnected stories such as "The Old Dog Becomes a Husband's Monster" and "Liu's Woman v. The Tiger". It can be performed continuously for about 15 hours, which shows the ability of the ancient puppet theater performers to master the subject matter and the layout of the play.

The "drop cage thin" "package tan break the case", a total of 26 out, the old name 10 sections. Today there are two types of copies: one is copied in the Qing "Jiaqing six years (1801) November"; the second is copied in the Qing "Daoguang Dingwei year (1847) September 30", the copy of the unpaginated signed "Xiao Bao The second is copied in the Qing dynasty "Daoguang Dingwei year (1847) September 30", the copy is not signed "Xiao Bao copying", and also note "Gongbei territory transcription (Teng)" words. After comparison, two kinds of copy of the field mouth, Qu Bai, etc. are no big differences. But the second copy is seriously damaged, defective, most pages are difficult to read. The first copy was made almost half a century earlier than the second copy, but it is better preserved. The book narrates the case of Bao Zheng. The play is based on the relevant recapitulation of the book "Bao Longtu Judges Hundred Public Cases", which was compiled and published by An Shi during the Ming Wanli period. The story of "The Enchanting Difference of the Golden Carp" is the main line, interspersed with "Shi Mute offers hazel to share his wealth", "The Adulterer Kills His Woman by Mistake", "Pao Gong's Garden Saves the Moon Eclipse "The story is interspersed with other unconnected stories such as "The Old Dog Becomes a Husband's Monster" and "Liu's Woman v. The Tiger". It can be performed continuously for about 15 hours, which shows the ability of the ancient puppet theater performers to master the subject matter and the layout of the play.

隐藏域元素占位

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Breaking the Heavenly Gate Formation

"The entire "Southern and Northern Song Dynasty" is a final compilation of 33 sections, which is called 10 sections. One copy exists today, originally owned by Quanzhou, "the big city god temple in the east side of the famous sage shrine in Huanhui Bao No. Yu Ji four room". It is difficult to tell whether the copy is a copy of the Qing Dynasty or not. The story of Yang Yanlang, a divine archer, was deported to Zhengzhou as a citizen after his father was killed and he killed the traitor Pan Mei in anger, but he was lucky to return home. She was lucky to return home. In order to survive, she taught him to bury his name and not to come out. The new king, Zhao Yuan Kan, succeeded to the throne and became King Zhenzong. After Liao's Xiao, who was a minister of Liao's, Tun 3,000 iron horsemen were stationed in the east of the river and wrote a letter to Song's room, wanting to compete with Song's generals across the border to determine the level of martial arts. The intention was to find out the truth and then discuss the rise of the army.

"The entire "Southern and Northern Song Dynasty" is a final compilation of 33 sections, which is called 10 sections. One copy exists today, originally owned by Quanzhou, "the big city god temple in the east side of the famous sage shrine in Huanhui Bao No. Yu Ji four room". It is difficult to tell whether the copy is a copy of the Qing Dynasty or not. The story of Yang Yanlang, a divine archer, was deported to Zhengzhou as a citizen after his father was killed and he killed the traitor Pan Mei in anger, but he was lucky to return home. She was lucky to return home. In order to survive, she taught him to bury his name and not to come out. The new king, Zhao Yuan Kan, succeeded to the throne and became King Zhenzong. After Liao's Xiao, who was a minister of Liao's, Tun 3,000 iron horsemen were stationed in the east of the river and wrote a letter to Song's room, wanting to compete with Song's generals across the border to determine the level of martial arts. The intention was to find out the truth and then discuss the rise of the army.

隐藏域元素占位

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Incense in Wutai

It is also known as "Wutai Jinxiang" (The Rescue of Wutai), which is the successor of "Conquest of Hedong" and the successor of "Breaking the Tianmen Front". It is suspected to have been copied in the Qing Dynasty, and the first part of the story, "Resignation of the Lord", the 16th part of the story, "The Journey", and the 39th part of the story, "Queen Xiao Goes", have different degrees of defects. According to the plot of the story, at least the fifteenth and the thirtieth scenes are missing. Although this copy also makes extensive use of the "Tu Bai" of Quanan, it is not among the "Bai Wen" inherent in puppet theater. It is clear that it was formed a little later than the other "Baiwen".

It is also known as "Wutai Jinxiang" (The Rescue of Wutai), which is the successor of "Conquest of Hedong" and the successor of "Breaking the Tianmen Front". It is suspected to have been copied in the Qing Dynasty, and the first part of the story, "Resignation of the Lord", the 16th part of the story, "The Journey", and the 39th part of the story, "Queen Xiao Goes", have different degrees of defects. According to the plot of the story, at least the fifteenth and the thirtieth scenes are missing. Although this copy also makes extensive use of the "Tu Bai" of Quanan, it is not among the "Bai Wen" inherent in puppet theater. It is clear that it was formed a little later than the other "Baiwen".

隐藏域元素占位

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The Conquest of Hedong

It is the opening chapter of the story of the whole book "South and North Song", with a total of 38 parts, which used to be called 10 sections. One copy exists today, which was recopied in the winter of 1910, the second year of the Qing Dynasty. The entire transcript is neatly written with clear handwriting, but there is no sentence reading.

It is the opening chapter of the story of the whole book "South and North Song", with a total of 38 parts, which used to be called 10 sections. One copy exists today, which was recopied in the winter of 1910, the second year of the Qing Dynasty. The entire transcript is neatly written with clear handwriting, but there is no sentence reading.

隐藏域元素占位